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Album Review: Seth Andrew Davis, Kyle Hutchins, Aaron Osborne and Evan Verploegh- Quartet, Vol. 1

January 9, 2022 William Brownlee

The subversive artists of the Extemporaneous Music Society are picking up where they left off their extraordinarily productive 2021.  The January 1 release of Quartet, Vol. 1 on Mother Brain Records is another provocative missive in the collective’s bold overhaul of Kansas City’s improvised music scene.

The album’s intentionally jarring contents will be familiar to those who encountered a concert by Seth Andrew Davis (electric guitar/laptop/electronics), Kyle Hutchins (saxophones), Aaron Osborne (bass/electronics) and Evan Verploegh (drums/percussion) at Charlotte Street Foundation last July.

The anarchic opening segment of the 32-minute “Of Other Mirrors” may cause even the most intrepid listeners to flinch.  The confrontational blaring, obnoxious bleating and insidious braying seems designed to repel all comers.  There’s a method to their madness.  While retaining a harsh edge, the subsequent quieter passages reveal the quartet’s attentive interplay.  

Jazz-oriented listeners are likely to gravitate to the contributions of Hutchins.  His Dolphy-esque playing provides an analog counterpoint to industrial grating on “Of Other Mirrors,” the glitchy futurism of “Under a Strange Legend” and the somber malevolence of “So Many Stars Take Care of Me.”  Viva la revolución!

Tags Kansas City, jazz, Extemporaneous Music Society, Seth Davis, Aaron Osborne, Evan Verploegh, Charlotte Street Foundation
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