Carmen Bradford, a vocalist affiliated with the current edition of the Count Basie Orchestra, will perform in the Kansas City Symphony’s Uptown Nights concerts on Friday, January 6, Saturday, January 7, and Sunday, January 8, at Helzberg Hall.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*Chris Burnett discussed the release of an archival recording with Joe Dimino.
*The obituary for a jazz enthusiast includes references to fabled venues including Kansas City’s Pla-Mor Ballroom.
*Tweet of the Week: KCUR- From jazz to folk, Kansas City has a rich collection of music for this time of year. Music critic Bill Brownlee recommends adding these to your holiday playlist. (link)
The Plastic Sax People of the Year: Seth Davis and Evan Verploegh
Original image of Evan Verploegh and Seth Davis by Plastic Sax.
A Kansas City jazz musician complained about what he perceived as a lack of performance opportunities during an otherwise satisfactory set in a prominent club earlier this year. In creating an entirely new scene for clangorous improvised music, Seth Andrew Davis and Evan Verploegh have proven that there’s no excuse for such woebegone resignation.
While their sound isn’t yet welcome at most conventional Kansas City venues, Davis, Verploegh and their colleagues in the Extemporaneous Music and Arts Society (EMAS) possess an admirable enthusiasm for playing in punk clubs, record stores, coffee shops, arts centers and private residences in North America and Europe.
The do-it-yourself attitude may be born out of necessity, but it’s precisely the sort of nonpartisan engagement that’s more conducive to a flourishing future for improvised music than institutional hermeticism. Many of the collective’s performances- Live in London and Badger State Games among them- are promptly made available at Bandcamp.
The albums are among the more than two dozen live and studio recordings released by members of EMAS in 2022. With an impressive list of gigs already on next year’s calendar, the collective’s catalog should continue to rapidly expand.
A few of the recordings feature the notable touring artists they bring to Kansas City. Visiting collaborators in 2022 included Phillip Greenlief and Josh Sinton. These events vastly improved the lives of Kansas City’s free jazz enthusiasts. Davis and Verploegh, consequently, are Plastic Sax’s People of the Year.
The previous recipients of the designation are Rod Fleeman (2021), Charlie Parker (2020), Logan Richardson (2019), Peter Schlamb (2018), John Scott (2017), Eddie Moore (2016), Larry Kopitnik (2015), Deborah Brown (2014), Stan Kessler (2013), Doug and Lori Chandler (2012), Jeff Harshbarger (2011), Mark Lowrey (2010) and Hermon Mehari (2009). Bobby Watson was named the Plastic Sax Person of the Decade in 2009 and again in 2019.
Now's the Time: Tyrone Clark
Bassist and bandleader Tyrone Clark is responsible for some of the most interesting music heard at Green Lady Lounge. His next gig at the venue that’s open 365 days a year begins at 6 p.m. Saturday, December 25.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*Rod Fleeman chats with Ken Lovern about his debut album, his relationship with Pat Metheny, working with notable vocalists and Kansas City’s jazz legacy in a set of five videos: one, two, three, four and five.
*Joe Dimino discussed the Uptown Lounge with Alan Stribling and shared footage of a youth jazz performance.
*Tweet of the Week: Menace- Enzo Carniel returns to MENACE alongside Hermon Mehari, Stéphane Adsuar and Damien Varaillon as No(w) Beauty. The self-titled album will be released on February 24, however, the first single 'The Art of Four' is available today on all platforms. (link)
The Kansas City Jazz Scene's Top Stories and Trends of 2022
Original image of Seth Davis, Josh Sinton and Drew Williams at the Vinyl Underground at 7th Heaven on December 17 by Plastic Sax.
1. Full Swing
It’s almost as if nothing happened. On the surface, Kansas City’s post-pandemic jazz scene now looks just as it did in 2019.
2. Got It Covered
In spite of- or maybe even because of- the $5 cover charge instituted last year, Green Lady Lounge is packed on any given night. It makes sense: Green Lady Lounge is the only place in Kansas City at which jazz is performed every evening.
3. Frequent Freakouts
Fans of free jazz and experimental music no longer need to leave Kansas City to hear those sounds. Thanks to the strenuous initiatives of members of the Extemporaneous Music and Arts Society, innovative music made by notable touring musicians and local artists is regularly performed in Kansas City.
4. A Man Called Adam
The dynamic presence of Adam Larson continues to elevate Kansas City. The saxophonist’s two new albums- with a third on the way- requires skeptical outsiders to reassess the vitality of Kansas City’s scene.
5. For the Record
It’s an extraordinarily productive year when a lovely album featuring Bob Bowman can’t squeeze into a list of the top ten Kansas City jazz albums of 2022,
6. Don’t Call It a Comeback
While they never went away, the innovative veterans Dwight Frizzell and Arnold Young reemerged as prominent bandleaders with active performance schedules.
7. Fest or Famine
The one-stage, single-day, storm-plagued Prairie Village Jazz Festival notwithstanding, the Kansas City area hasn’t hosted a true jazz festival since a “stellar but ill-fated” event in 2017.
8. Outside Validation
Jazz at Lincoln Center created a fetching tradition-oriented video portrait of Kansas City.
9. Meanwhile, Back at the Museum
Had it done nothing but present Nduduzo Makhathini at the Blue Room in June, the American Jazz Museum would have provided an invaluable cultural contribution to the city in 2022. Yet its noontime concerts and the resumption of the Jammin’ at the Gem series were similarly encouraging developments.
10. An Awkward Anniversary
Another year passed without an appearance by Pat Metheny. The hometown hero last played in Kansas City in 2012. Although he continues to tour extensively, ten years have passed since a Metheny concert transpired in his old stomping grounds.
Last’s year’s installment of this annual series is here.
Now’s the Time: Najee
The return of the American Jazz Museum’s Jammin’ at the Gem concert series is one of the year’s most encouraging developments. The smooth jazz saxophonist Najee opens the 2022-23 season on Saturday, December 17.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*The Kansas City Jazz Orchestra has released a new version of Donny Hathaway’s “This Christmas” featuring vocalist Eboni Fondren.
*Craig Aker, a notable figure in the music community of Columbia, Missouri, is featured in The Maneater.
*Tweet of the Week: Aaron Bean- Doing my door guy thing tonight @GreenLadyLounge until 3am! Kansas City JAZZ at its finest.
*From a press release: Mike Dillon & Punkadelick have released "Pandas", the second single from their forthcoming album, Inflorescence, due January 27 on Royal Potato Family… “In our minds, Led Zeppelin and Milt Jackson, Parliament-Funkadelic and The Minutemen, The Bad Brains and Frank Zappa are interconnected," says Mike Dillon. "All that comes together in how we approach instrumental creative music. Punk rock, funk and jazz are not prefab things, they're about freedom. We have no genre restriction in this band..."
Plastic Sax’s Favorite Albums of 2022
The Top Ten Kansas City Jazz Albums of 2022
1. Bobby Watson- Back Home in Kansas City
2. Hermon Mehari- Asmara
3. Steve Cardenas- Healing Power: The Music of Carla Bley
4. Adam Larson Trio- With Love, From Kansas City
5. Adam Larson Trio- With Love, From Chicago
6. Krista Kopper and Evan Verploegh- For the Trees
7. Arnold Young and the Roughtet- Fear Is the Mind Killer
8. Rod Fleeman Trio- Saturday Afternoon: Live at Green Lady Lounge
9. Matt Villinger’s All Night Trio- All Faded
10. Stephen Martin- High Plains
The Top Ten Jazz Albums of 2022 by Artists from Elsewhere
1. Moor Mother- Jazz Codes
2. Mary Halvorson- Belladonna
3. Nate Wooley- Ancient Songs of Burlap Heroes
4. Dave Douglas- Songs of Ascent: Book 1- Degrees
5. Anat Cohen- Quartetinho
6. Matthew Shipp Trio- World Construct
7. Tyshawn Sorey- The Off-Off Broadway Guide to Synergism
8. Nduduzo Makhathini- In The Spirit of Ntu
9. Gerald Clayton- Bells on Sand
10. Daniel Villarreal- Panamá 77
Links to previous annual surveys begin here.
Now’s the Time: Josh Sinton
The distinguished baritone saxophonist Josh Sinton will perform at Vinyl Underground, the performance space in the basement of 7th Heaven, on Saturday, December 17. The Brooklyn based Sinton will be joined by Seth Davis and Drew Williams in the first set. Davis, Krista Kopper and Evan Verploegh are slated to join Sinton for a second set.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*The American Jazz Museum has resurrected the Jammin’ at the Gem concert series. Four concerts have been announced without much fanfare: Najee, December 17; Eric Roberson, February 11; Artemis, March 18; the SFJazz Collective, April 1. Tickets to each concert are $65 and $75. Details are available here.
*Joe Dimino shared footage of a performance by the Charles Williams Trio at the Blue Room and interviewed Eddie Moore.
*Libby Hanssen recommends seasonal music by the Count Basie Orchestra and the Kerry Strayer Orchestra for KCUR.
*KCUR’s Up To Date program showcased TJ & The Tattletales’ revival of A Charlie Brown Christmas.
*Tweet of the Week: KU School of Music- Jazz Vespers is THIS THURSDAY at 7:30 PM @liedcenterks! The concert once again features performances of holiday favorites in a jazz and pop setting. Event is free, but tickets required: (link)
*From a press release: (A) follow-up to the 2012 ARC release Keyboard Christmas, and his fifteenth recording as a leader, Michael Pagán presents a program of holiday themed tracks… Keyboard Christmas II finds Kansas City based Pagán again in the solo piano idiom.
Plastic Sax's Favorite Performances of 2022
Original image of Bob Bowman and Peter Schlamb by Plastic Sax.
Top Performances by Kansas City Artists
1. Logan Richardson + Blues People at the Ship
2. Adam Larson, Clark Sommers and Dana Hall at Westport Coffee House
3. Black Crack Revue at Westport Coffee House
4. Steve Cardenas, Forest Stewart and Brian Steever at recordBar
5. Arnold Young and the RoughTet at the Ship
6. Bob Bowman and Peter Schlamb at Second Presbyterian Church
7. Evan Verplough and Ben Baker at World Culture KC
8. Rod Fleeman at Green Lady Lounge
9. Alter Destiny at Charlotte Street Foundation
10. Drew Williams, Ben Tervort and Brian Steever at Westport Coffee House
Top Performances by Artists from Elsewhere
1. Nduduzo Makhathini at the Blue Room
2. Ohma at the Midland theater
3. Livia Nestrovski and Henrique Eisenmann at the 1900 Building
4. High Pulp at recordBar
5. Phillip Greenlief at Bushranger Records
6. Terence Blanchard at Atkins Auditorium
7. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin
8. Esthesis Quartet at the Blue Room
9. Kind Folk at the Black Box
10. Bill Summers and Forward Back at Dunbar Park
Now’s the Time: Clint Ashlock
Clint Ashlock, one of Kansas City’s most prominent musicians, performs at Lonnie’s Reno Club on Friday, December 2, and Saturday, December 3. The multi-dimensional artist performs an ambitious solo rendition of a seasonal song in the embedded video.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*An article in The Community Voice about Anita Dixon’s current strategies for increasing the publicly funded music infrastructure suggests “(i)f you don’t know somebody who knows somebody, it’s hard to know live jazz in Kansas City still exists.”
*Nina Cherry endorses Marcus Lewis’ Big Band in Kansas City magazine.
*Pat Metheny is the subject of a Downbeat feature related to his win as Guitarist of the Year in the publication’s Readers Poll.
*Tweet of the Week: Tilted Chamber- @jeffshirleyjazz great show tonight at the Green Lady! #jazz #KansasCity #GreenLady
Album Review: Hermon Mehari- Asmara
Patrick Mahomes and Travis Kelce, the quarterback and tight end of the Kansas City Chiefs, are among the most celebrated duos in sports. Their astounding athleticism and apparent telepathic bond has led their professional football team to dozens of wins including a Super Bowl championship in 2019.
Hermon Mehari and Peter Schlamb, the trumpeter and vibraphonist/pianist who made names for themselves in Kansas City during the same era, are a similarly unstoppable force in improvised music. Their collaboration on Mehari’s new album Asmara is nothing short of triumphant.
“I Remember Eritrea,” a duet between Schlamb and Mehari, showcases their sublime compatibility. They’re joined by bassist Luca Fattorini and drummer Gautier Garrigue on the remainder of the tracks on the 35-minute album recorded in Paris. The wonderfully scratchy vocals of Faytinga augment “Tenafaqit” and “Milobe Lawa Furda.”
“Soul Chant” possesses the spirituality associated with South African pianist Nduduzo Makhathini. Schlamb and Mehari’s stupendous solos on the uplifting “Anthem for Independence” also serve notice they’re among jazz’s most imposing young improvisors. As with Mahones and Kelce, all they do is win.
Confirmation: OJT
Ken Lovern’s organ jazz trio, commonly known as OJT, is the de facto house band of Green Lady Lounge. The good-time group’s next gig at Kansas City’s most popular jazz venue kicks in at 6 p.m. Friday, November 25.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*Snippets from a performance by Arnold Young and the Roughtet were shared by Joe Dimino.
*Mary Lou Williams aficionados are advised to investigate South Korean bassist Jeong Lim Yang’s startling interpretation of Zodiac Suite.
*Marc Myers has been on a Freddie Green spree at Jazz Wax.
*Tweet of the Week: Cinephile- Watched Altman's Kansas City. It seemed like it was an ode to his hometown, or his love for jazz, not a project driven to serve story or character. 6/10.
*From a press release: Kansas City Jazz Orchestra Executive Director Lea Petrie today announced the next concert for the 2022-2023 20th Anniversary season, The Family featuring guest artists Lonnie and Chloe McFadden, Tuesday,December 6 at 7 p.m. at the Helzberg Hall of the Kauffman Center for the Performing Arts… Multitalented local legend Lonnie McFadden, a vocalist, trumpeter, and tap dancer, grew up immersed in Kansas City jazz through his deep, familial ties from his father Jimmy, a tap dancer who worked alongside Count Basie, Jay McShann, and Charlie Parker.
EP Review: Eddie Moore- Intuition
Matt Villinger croons about enjoying the company of friends in a smoky room on the title track of his 2022 album All Faded. The music that's “spinning everywhere” in Villinger’s scenario might be found on the new release by his fellow Kansas City keyboardist Eddie Moore.
Intuition, the debut solo album by the accomplished musician who was Plastic Sax’s 2016 Person of the Year, is a smoker’s delight. Most of the 24-minute project consists of wavy grooves that seem designed to complement the experiences of listeners who frequent dispensaries.
The shimmering “A New Me, A New You” nods to Bob James’ wavy classic “Nautilus.” The forward momentum of “Skate Park Days” explores the common ground between Lupe Fiasco and the Crusaders. A ticklish pulse makes “Brave Enough” Intuition’s most effective track.
The vibe is dampened by two selections featuring rappers. While their flows are good, the emcees add incongruous lyrical negativity. Whether or not it was Moore’s intention, Intuition is an ideal companion for the carefree consumption of chronic.
Now's the Time: Matt Chalk
Matt Chalk’s homecoming concert at the Blue Room on Friday, November 25, promises to be a momentous occasion. Once a notable teen prodigy, the saxophonist has refined his sound even further while living in Europe in recent years.
Confirmation: Weekly News and Notes
Original image by Plastic Sax.
*Hermon Mehari was featured on Radio France.
*Bird Lives, a Swedish tribute to Charlie Parker, was nominated for three Grammy Awards yesterday.
*Joe Dimino shared footage of Deborah Brown’s performance with the Kansas City Jazz Orchestra.
*Tweet of the Week: Dr. Compact Housedwarf- I have seen Etta at a jazz and blues festival in Kansas City! Too bad they don’t do that festival anymore. Outdoors and cheap to get in.