A few devoted Kansas City jazz fans made the 150-mile trek to Joplin to witness Charles McPherson’s homecoming concert in February. The elite Charlie Parker acolyte has stayed the course since his birth in the southwest corner of Missouri in 1939. Featuring trumpeter Terell Stafford, pianist Jeb Patton, bassist David Wong and drummer Billy Drummond, McPherson’s new live album Reverence is certain to delight Bird purists. Pushed by his all-star band on the tribute to the late pianist Barry Harris, the octogenarian brings the wit of wisdom of the ages to bear on Reverence. His ornithology is inescapable, but the imprint of the years McPherson spent with Charles Mingus is also evident. The vigor of McPherson’s inspiring playing is more than worthy of a cross-state road trip.
Confirmation: Weekly News and Notes
*Joyce Smith posted a preliminary report on X about plans for a new jazz club in the Watts Mill district.
*A local television news outlet considered the impact of Charlie Parker.
Confirmation: Weekly News and Notes
*Prominent Kansas Citians including Congressman Emanuel Cleaver and Bobby Watson consider the local erasure of Charlie Parker’s legacy in Ian Ritter’s think piece for Belt magazine.
*Charlie Parker and Bobby Watson are referenced in a Classical KC feature about the intersection of jazz and classical music.
*A vlogger shared footage depicting the atmosphere at Green Lady Lounge.
Confirmation: Weekly News and Notes
*Seth Davis, Mike Dillon and Matt Otto received votes in El Intruso’s 16th Annual International Critics Poll.
*A slightly different version of the audio feature about Charlie Parker’s Grafton saxophone created for KCUR in December aired nationally on NPR’s Morning Edition program last week.
*Joe Dimino shared footage of recent performances of bands led by Pete Fucinaro and Adam Larson.
*WBGO aired a travelog set in Kansas City’s Jazz District.
Jazz Caucus
The crucial Iowa caucus takes place on January 15. For improvised music obsessives, equally vital electoral returns arrived earlier this month. The 18th Annual Francis Davis Jazz Poll is the most comprehensive and meaningful of the yearly jazz surveys.
More than 500 titles released in 2023 received at least one vote from the poll’s 159 participants in the foremost new album category. In separate groupings, 57 debut albums, 51 vocal albums and 40 Latin jazz albums were acknowledged. (My ballot is here.)
Pouring over the results to glean meaning is akin to reading tea leaves, or for those who dislike innovative jazz, more like the ancient practice of divining the future by examining the entrails of animal sacrifices.
The expansiveness of this year’s poll indicates there’s little consensus even within the secluded jazz community. The staggering deluge of vital jazz exacerbates the form’s esoteric image.
Kansas City is represented by Pat Metheny’s Dream Box (#78 with four votes) and Matt Otto’s Umbra (tied at #473 with a single vote). In the Rara Avis category, the reissue of the Massey Hall concert featuring Charlie Parker (#26 with three votes) and the Basie All Stars’ Live at Fabrik Vol. 1: Hamburg 1981 (tied at #101 with one vote) were also recognized.
In a corresponding essay, Tom Hull, the man overseeing the complex tabulations for the poll, ponders the electorate’s consumption of the form. As a courtesy to Hull and on the off chance any Plastic Sax readers are curious, I’ve responded to his queries.
How many promos do you get and listen to?
I received less than a dozen CDs and vinyl albums last year. I have access to innumerable complimentary digital downloads.
How much streaming (do) you do?
A minimum of ten hours a day.
How much radio (do) you listen to?
I rarely listen to terrestrial radio. I stream loads of archived radio features and programs.
What (is) the split… between jazz and other music?
Approximately a third of the music I consume is jazz.
What other kinds of music do you like or hate?
I love all types of music.
(Are you) giving up some amount of (professional) opportunity cost to (cover jazz)?
Yes. It’s especially nice when an occasional endeavor unexpectedly pays off.
Confirmation: Weekly News and Notes
*Charlie Parker, Count Basie and the Extemporaneous Music and Arts Society were name-checked in a recent episode of the Eight One Sixty program on 90.9 The Bridge.
*Dave Scott checked in with Joe Dimino.
The Original Plastic Sax
I’m proud of the audio features I created for Kansas City’s National Public Radio member station KCUR this year. I doubted if I could top profiles of a jazz rebel, a breakout rap star and an Ozarks folkie. But my final effort of 2023- an examination of the saga of the plastic saxophone played by Charlie Parker at Massey Hall in 1953- may be my best piece of the year. The story includes interviews with Congressman Emanuel Cleaver and the American Jazz Museum’s Dr. Dina Bennett and Gerald Dunn about Kansas City’s legendary artifact.
Confirmation: Weekly News and Notes
*Pat Metheny won Guitarist of the Year in DownBeat magazine’s 99th Reader’s Poll. Other Kansas City area artists receiving votes: Charlie Parker and Bobby Watson.
Confirmation: Weekly News and Notes
*Pat Metheny was heckled at a concert in San Diego. George Varga of The San Diego Union-Tribune filed a report on the incident.
*An appearance by Terence Blanchard is among KCUR’s November concert recommendations.
*The American Jazz Museum created a video recap of its recent Charlie Parker birthday celebration concert.
*David Hudnall highlights the live music presented at the Gates Bar-B-Q location in the Jazz District for The Kansas City Star.
*Marilyn Maye checked in with Steve Kraske on KCUR’s Up To Date program.
Confirmation: Weekly News and Notes
*Aaron Diehl’s adaptation of Mary Lou Williams’ orchestration of Zodiac Suite was released by Mack Avenue last week.
*Joe Dimino shared footage of the Jackie Myers Trio performing at KC Bier Co.
*From a press release: On May 15, 1953, five of jazz’s most influential musicians – Charlie Parker, Dizzy Gillespie, Charles Mingus, Max Roach, and Bud Powell – gathered at Toronto’s Massey Hall for what would result in their first and only known recording as a quintet. While only a small audience was able to experience it in person, this historic evening was captured on tape. The resulting album, The Quintet: Jazz at Massey Hall, would become one of the genre’s most essential and celebrated releases. Now, Craft Recordings commemorates the 70th anniversary of this singular concert (2023) with Hot House: The Complete Jazz at Massey Hall Recordings, a definitive collection that presents the entirety of the evening’s recorded material by the members of this quintet. Arriving November 17 and available for pre-order today, the 3-LP, 2-CD and digital release features meticulous 24-bit audio restoration and remastering…
*From a press release: Longtime Kansas City jazz guitar hero Danny Embrey is releasing his first recording of new music under his name since 1988… Bassist Gerald Spaits and drummer Brian Steever join Danny on this freewheeling live recording. The compositions are mostly by Danny with a couple by Gerald Spaits and one each by Brian Steever and Kansas City piano legend Russ Long… The performances on this recording were captured live at Green Lady Lounge earlier this year. Danny leads a trio in the downstairs Orion Room every Friday and Saturday from 7:30 to 10:30, and has done so for several years now. CD Release Event on Saturday, October 7, 2023 at 7:30 pm in the downstairs Orion Room at Green Lady Lounge, 1809 Grand, Kansas City, Missouri. The show lasts till 10:30, but the first set will include many of the new tunes from the CD and stories about their origin… CDs will be available for $10 each at Green Lady Lounge on the day of the show… Digital copies will be available as of October 2 on all major streaming platforms.
Confirmation: Weekly News and Notes
*Lonnie McFadden considers Kansas City’s relationship with Charlie Parker’s legacy for In Kansas City magazine.
*Steve Paul documented an informal ceremony at the grave of Charlie Parker on August 29.
*The Columbia Daily Tribune reported on new ownership of the historic McKinney Building.
Confirmation: Weekly News and Notes
*Pat Metheny explains the impetus of his Dream Box solo tour in a brief video. The concert nearest to Kansas City is in Des Moines, Iowa, on October 3.
*Joe Dimino interviewed Bryan Hicks and documented a set led by Dan Thomas at the Blue Room.
*From a press release: Spotlight: Charlie Parker 2023 celebrates the jazz icon’s 103rd birthday with jam sessions and musical tributes, jazz history tours, lectures, exhibitions, panel discussions, workshops and showcase performances… The event also provides educational opportunities and promotes the music of nearly 20 local Kansas City jazz artists who will perform at select events/venues during the week. Highlighting this year’s Spotlight: Charlie Parker, is Grammy TM nominated alto saxophonist, Tia Fuller, who will serve as the 2023 Spotlight: Charlie Parker Artist-In-Residence. Details are available here.
*From a press release: Candid Records is excited to announce the Sept. 15 release of Basie Swings the Blues, the latest recording by the legendary Count Basie Orchestra under the direction of Scotty Barnhart. This extraordinary record fuses the Basie Orchestra’s signature style of sophisticated swing with the raw and soulful talents of a cross section of some of the greatest blues and jazz artists of our times. Featuring a stellar lineup of blues icons and contemporary stars including Buddy Guy, Bobby Rush, Keb’ Mo’, Robert Cray, George Benson, Shemekia Copeland, Ledisi, Mr. Sipp, Lauren Mitchell, Bettye LaVette, and Charlie Musselwhite.
Confirmation: Weekly News and Notes
*The Kansas City Jazz Orchestra headlines the 2023 edition of the Prairie Village Jazz Festival on September 9.
*Tia Fuller’s participation in the Spotlight: Charlie Parker initiative is among KCUR's concert recommendations for August.
*Bob Brookmeyer, Samantha Fish, Pat Metheny and Bobby Watson received votes in Downbeat magazine’s 71st Annual Critics Poll.
*St. Louis’ New Music Circle announced its 2023-24 season. Roscoe Mitchell, Elliott Sharp and William Parker are among the bookings.
Now’s the Time: Miguel Zenón
One of Charlie Parker’s most vital acolytes performs at the Folly Theater on Friday, January 20. Alto saxophonist Miguel Zenón has become an established component of the jazz pantheon since his appearances at the Blue Room in 2014 and as a member of the SFJazz Collective at the Folly Theater in 2018.
Confirmation: Weekly News and Notes
*Hermon Mehari was featured on Radio France.
*Bird Lives, a Swedish tribute to Charlie Parker, was nominated for three Grammy Awards yesterday.
*Joe Dimino shared footage of Deborah Brown’s performance with the Kansas City Jazz Orchestra.
*Tweet of the Week: Dr. Compact Housedwarf- I have seen Etta at a jazz and blues festival in Kansas City! Too bad they don’t do that festival anymore. Outdoors and cheap to get in.
Confirmation: Weekly News and Notes
*Kevin Whitehead considered Bobby Watson’s new album Back Home in Kansas City for NPR. A critic in New York analyzed a Watson concert in Schenectady.
*Fans named Norman Brown’s “Back at Ya” the Song of the Year in the Jazz Music Awards. Christian McBride & Inside Straight, a band featuring the Kansas City based drummer Carl Allen, won the title of Best Mainstream Artist.
*Laura Spencer created an audio feature about the Hannover Jazz Orchestra’s visit to Kansas City for KCUR. Members of the ensemble visited a television station.
*A sculpture inspired by Charlie Parker will be displayed at Kansas City’s new airport.
*Joe Dimino chatted with John Stein and shared footage of a performance by the Marcus Lewis Quintet.
*Tweet of the Week: Lipid Scientist- Visiting Kansas City - just went to the Negro Leagues Museum and the American Jazz Museum. Now we are listening to Caribbean Jazz at the Blue Room. Bryan Alford Jazz Experience: (photo)
Confirmation: Weekly News and Notes
*Smoke Sessions Records created a trailer for Bobby Watson’s forthcoming album Back Home in Kansas City.
*The Marcus Lewis Big Band shared a music video for its new song "You're Very Special".
*Nina Cherry lists a few unconventional venues in Kansas City magazine.
*Joe Dimino documented portions of performances by the Leslie Maclean Trio and the duo of Mark Lowrey and Arnold Young.
*Sean Jones chatted with Steve Kraske on KCUR’s Up To Date program.
*Melissa Aldana, Charles McPherson and Camille Thurman are among the artists praising Charlie Parker in a feature published by The New York Times.
*Tweet of the Week: Kadesh Flow- Bruh.... Sean fn Jones REALLY SAT IN WITH US LAST NIGHT and justcasually went tf off @jazzbonist @kemetcoleman
Album Review: Morgan Faw and the Flame- It Takes a Village
A pair of antithetical incidents involving Kansas City’s first family of jazz took place during Morgan Faw and the Flame’s album release show at the Blue Room on Monday, August 22. A guest appearance by Bobby Watson was- as is invariably the case- absolutely stupendous.
The lowlight of the evening was heartbreaking. An interpretation of Pamela Baskin-Watson’s composition “The Love We Had Yesterday” was spoiled by a buffoon who drowned out the tender ballad with oblivious yapping. Baskin-Watson was among the members of the audience of about 100 frustrated by the dullard.
The Watsons were among the many instructors, friends and family amid the festive audience of more than 100 that Faw thanked during an evening characterized by good cheer and reverence for tradition. (The performance was a central component of this year’s Spotlight: Charlie Parker initiative.)
Faw’s debut album It Takes a Village is filled with conventional hard bop tracks designed to please the saxophonist’s old-school mentors. Faw is joined by trumpeter Will Mallard, pianist Ebba Dankel, bassist Isaac Coyle and drummer Christian Napoleon on the project. It’s a brisk first step toward a promising destination.
Book Review: Dangerous Rhythms: Jazz and the Underworld
Kansas City figures prominently in T.J. English’s new book Dangerous Rhythms: Jazz and the Underworld. The author frequently cites the town’s clubs, mobsters and musicians to make a convincing case that the mafia and jazz were inextricably linked for much of the previous century.
An absorbing chapter is dedicated to Pendergast-era Kansas City. Most Plastic Sax readers will already be familiar with the details, but English brings a fresh perspective to his vivid descriptions of venues including the Clay County supper club Cuban Gardens.
Count Basie, Mary Lou Williams and Charlie Parker are among the musicians associated with Kansas City referenced throughout Dangerous Rhythms. Each became ensnared in one or more of the mafia’s revenue streams.
English asserts Basie had a gambling problem which compelled him to rely on mobsters. Parker was among the musicians addicted to mob-distributed heroin. Williams’ aversion to gangster-run venues altered the course of her career.
Yet the story told by English is nuanced. He doesn’t downplay gruesome violence, sickening racism and shameful exploitation, but English suggests that decades of artistic innovation may not have occurred without the unchecked vice overseen by mobsters.
Confirmation: Weekly News and Notes
*Flatland investigates the demise of the Charlie Parker Memorial Foundation.
*Tweet of the Week: American Jazz Museum- 25 years ago today, the American Jazz Museum opened its doors on September 5, 1997. Originally named the Kansas City Jazz Museum, KCMO Mayor @repcleaver, the museum’s Executive Director Dr. Rowena Stewart, and community members planned a noteworthy three-day celebration.