The most compelling jazz has always been rebellious, adventurous and innovative. Yet a debilitating perception pervasive in Kansas City and beyond posits jazz as a moldering art form best applied as relaxing background music.
The refutation of this notion is among the reasons I treat the annual publication of the Francis Davis Jazz Poll and the El Intruso’s Periodistas Internacionales jazz poll as a holiday. Sifting through the data published January 10 is a powerful affirmation of the artistic vitality of jazz.
I’m honored to be consulted in the enterprises. Sunny Five’s caustic Candid is my selection for the top album in both polls. The attack of the avant-garde all-stars aligns with my ongoing affinity for punk rock. The improvisatory onslaught was all too necessary in 2024.
The polls can be used as barometers of Kansas City’s current stature in the jazz universe. The 19th Annual Francis Davis Jazz Poll focuses on recordings. Six of the approximately 600 albums released in 2024 receiving votes are connected to the Kansas City area.
Tell the Birds I Said Hello: The Music of Herbie Nichols, an exquisite trio recording featuring Kansas City guitarist Steve Cardenas, came in at #67. Pat Metheny’s solo guitar statement Moodial finished at #70. Charles McPherson’s excellent Reverence is ranked #107.
In a separate vocal category, Betty Bryant’s delightful Lotta Livin’ is graded at #16. Although attention was lavished on it locally, the latest archival Charlie Parker release Bird in Kansas City placed at a humble #24 in the reissue division. I gave it a nod on my ballot.
Where the Francis Davis poll is open to critics favoring both conventional and anarchic styles, El Intruso’s 17th Annual International Critics Poll 2024 is intended to reward “creative music, jazz and beyond, free improvisation, art-rock, and experimental music.”
Albums are just one of many classifications at stake in El Intruso’s referendum. No Kansas City musicians were among the finalists in any section, but Seth Andrew Davis, Marvin Gruenbaum, Pat Metheny, Aryana Nemati and Peter Schlamb were recognized.
Amusingly, El Intruso puts faces to the names of voters. Anyone who has imagined what a typical jazz critic looks like will have their suspicions confirmed as they scroll through the individual selections of the electors. A goofy photo antithetical to the spirit of rebellion accompanies the ballot of the man responsible for Plastic Sax.
