The Top Performances of 2024

The Top Jazz Performances of 2024 by Kansas City Musicians
1. Peter Schlamb at the Ship
Plastic Sax review.

2. Rev. Dwight Frizzell’s Bridge at Charlotte Street Foundation
Instagram clip.

3. Rev. Dwight Frizzell’s Heliophonie at Charlotte Street Foundation
Plastic Sax review.

4. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
Plastic Sax review.

5. WireTown at Green Lady Lounge
Instagram clip.

6. Seth Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
Instagram clip.

7.  Jackie Myers, Matt Otto and Bob Bowman at the Market at Meadowbrook
Instagram snapshot.

8. Alber at Charlotte Street Foundation
Instagram snapshot.

9. Ernest Melton, Parker Woolworth, Jordan Faught and Jalen Ward at In the Lowest Ferns
Plastic Sax review.

10. Rod Fleeman Trio at Green Lady Lounge
Instagram clip.

The Top Performances of 2024 by Touring Musicians
1. Makaya McCraven at Liberty Hall
Plastic Sax review.

2. Trond Kallevåg at the Folk Alliance International Conference
Instagram clip.

3. David Lord at Farewell
Plastic Sax review.

4. Willow at the T-Mobile Center
There Stands the Glass review.

5. Trap Jazz at Concourse Park
Instagram clip.

6. Mike Baggetta and Peter DiStefano at the Ship
There Stands the Glass review.

7. Damon Smith at Westport Coffee House
Instagram clip.

8. Phill Smith and Kyle Jessen at Charlotte Street Foundation
Instagram clip.

9. Síomha at the Kansas City Irish Festival
Instagram clip.

10. David Menestres at the Bunker Center for the Arts
Instagram snapshot.

Last year’s survey is here.

Confirmation: Weekly News and Notes

*Joe Dimino interviewed Stan Kessler and ​​Matt Otto.

*The man behind Plastic Sax shared music by Betty Bryant, Pat Metheny and Peter Schlamb on KKFI’s Wednesday MidDay Medley program last week.

Plastic Sax’s Favorite Albums of 2024

The Top Ten Albums of 2024 by Kansas City Artists
1. Betty Bryant- Lotta Livin’
Plastic Sax review.
2. Logan Richardson- The Science of Superstition
Plastic Sax review.
3. Charles McPherson- Reverence
Plastic Sax review.
4. Ben Allison, Steve Cardenas and Ted Nash- Tell the Birds I Said Hello: The Music of Herbie Nichols
Plastic Sax review.
5. Matt Otto, Xose Miguélez and Abe Rábade- The Landscape Listens
Plastic Sax review.
6. Rod Fleeman Trio- Saturday Afternoon Live at Green Lady Lounge, Volume 3
Plastic Sax review.
7. Pat Metheny- MoonDial
Plastic Sax review.
8. Karrin Allyson- A Kiss for Brazil
Plastic Sax review.
9. Michael Pagán- Paganova
Plastic Sax review.
10. Narrative Quintet- Trust Fund Tinder Goblins Howling at the Moon
Plastic Sax review.

The Top Ten Albums of 2024 by Artists from Elsewhere
1. Sunny Five- Candid
2. Nduduzo Makhathini- uNomkhubulwane
3. Fred Hersch- Silent, Listening
4. أحمد (Ahmed)- Wood Blues
5. Nala Sinephro- Endlessness
6. Tord Gustavsen Trio- Seeing
7. Andrew Cyrille, Kit Downes and Bill Frisell- Breaking the Shell
8. Peter Evans- Extra
9. Samara Joy- Portrait
10. The Messthetics and James Brandon Lewis- The Messthetics and James Brandon Lewis

Jazz Night in Kansas City (Is Every Night)

Attending performances by locally based jazz musicians is what I miss most about Kansas City while traveling. While I regularly take advantage of high-profile concerts by cutting-edge improvisers who rarely appear in Kansas City in my destinations, few locales match the depth of artistry showcased nightly in the Kansas City area.

Following a trip to the tropics, I caught up with a portion of the embarrassment of riches on Thursday, November 15. My outing began at the Music House School of Music in Prairie Village. The storied trumpeter Stan Kessler joined the house band of guitarist Aaron Sizemore, bassist Forest Stewart and drummer Michael Warren.

Sizemore tends to incorporate European innovations of recent decades into his sound, a disposition that differentiates him from his peers in Kansas City. The singularity didn’t make an impression on harried music students on strict schedules at the busy facility. The small audience at Thursday’s no-cover event consisted of the usual suspects. A video of the concert streams here.

In the Lowest Ferns couldn’t be more different. The West Bottoms club specializing in electronic dance music occasionally hosts jazz musicians. About 25 fashion-conscious people paid a $15 cover charge to take in the first set by saxophonist Ernest Melton, keyboardist Parker Woolworth, bassist Jordan Faught and drummer Jaylen Ward. The quartet’s spiritual soul-jazz was enhanced by a fog machine.

Two blocks away, Peter Schlamb unveiled an instrument he described as his “new toy” in a free show at The Ship.  The slippery tones of the MalletKAT added another weapon to the vibraphonist’s formidable arsenal. The high-energy improvisations of Schlamb, saxophonist Matt Otto, keyboardist Matt Villinger, bassist Sebastian Arias and drummer Zach Morrow were stunning.

In an act that felt like a cultural misdemeanor, the two eldest people among the audience of 20 left at the conclusion of the first set at 10:15 p.m. I nodded in agreement when a savvy old head suggested “that’s the best band in Kansas City” as we shuffled to the door. For me, Shlamb’s electric band sounds like home.

Album Review: Matt Otto, Xose Miguélez and Abe Rábade- The Landscape Listens

The Landscape Listens is an auspicious benediction. The collaboration between Kansas City’s Matt Otto and the Galacian musicians Xose Miguélez and Abe Rábade acts as a restorative balm for vanquished souls.

The calming collaboration between like-minded saxophonists Miguélez and Otto and pianist Rábade is exquisite jazz-based chamber music. Even though there’s never a moment of facile escapism, the lovely melodies and inspired solos are sonic sanctuaries.

Otto has dazzled Kansas City’s jazz community with his form of cool jazz for 16 years. Miguélez and Rábade share his passion for the sounds associated with Lee Konitz and Warne Marsh. Rábade invokes Chick Corea.

"Epílogo" is among the pieces with the lilt of Corea compositions like “La Fiesta”. The other tracks are just as gorgeous. Whether the listener is seeking spiritual consolation or mellow sophistication, The Landscape Listens is the right album at the right time.

The Top 25 Kansas City Jazz Albums of the Past 25 Years

Despite enduring constant turbulence during the first 25 years of the new millennium, Kansas City’s jazz musicians never ceased creating timeless art. The following list highlights a fraction of the vital recordings released since 2000. The recency bias on display reflects Plastic Sax’s founding in 2007 as well as the uptick in the quantity and quality of releases in recent years. A corresponding non-jazz albums ranking is here.

1. Peter Schlamb- Tinks (2004)
2. Logan Richardson- Shift (2016)
3. Bobby Watson- Back Home in Kansas City (2022)
4. Hermon Mehari- Asmara (2022)
5. Bob Bowman- Songs for Sandra (2014)
6. Pat Metheny- Orchestrion (2010)
7. Ahmad Alaadeen- And the Beauty of It All (ASR 2007)
8. Karrin Allyson- Imagina: Songs of Brasil (2008)
9. Steve Cardenas- Panoramic (2002)
10. Mike Dillon- Inflorescence (2023)

11. Deborah Brown- Songbird (2003)
12. Adam Larson- With Love, From Kansas City (2022)
13. Myra Taylor- My Night to Dream (2001)
14. Matt Otto and Ensemble Ibérica- Ibérica (2017)
15. The People’s Liberation Big Band of Greater Kansas City- The People’s Liberation Big Band of Greater Kansas City (2010)
16. Kevin Mahogany- Pride & Joy (2002)
17. Micah Herman- The Ship, Vol. 1: The Studio Sessions (2011)
18. EMAS Quartet- EMS (2022)
19. Eddie Moore and the Outer Circle- Kings & Queens (2016)
20. Rod Fleeman Trio- Saturday Afternoon Live at Green Lady Lounge, Volume 3 (2024)

21. Alaturka- Tamam Abi (2010)
22. Betty Bryant- Lotta Livin' (2024)
23. Everette DeVan- For the Love of You (2014)
24. Gregory Hickman-Williams- Passages (2006)
25. Marcus Lewis Big Band- Brass and Boujee (2018)

Album Review: Brian Scarborough- We Need the Wind

A gentle breeze elevates We Need the Wind. Brian Scarborough’s second album as a leader soars on an uplifting current of optimism. The trombonist is joined by four prominent Kansas City jazz musicians. Saxophonist Matt Otto, keyboardist Roger Wilder, bassist Jeff Harshbarger and drummer Brian Steever assent to Scarborough’s innate cheerfulness. The Fender Rhodes wielded by Wilder adds a jaunty texture to the session. Otto adds characteristically thoughtful commentary to Scarborough’s melodies. The sturdy resolve of Harshbarger and Steever bolster the nine tracks. As for Scarborough, the multiplicity of his lofty talent continues to necessitate comparison to the Kansas City jazz icon Bob Brookmeyer.

Confirmation: Weekly News and Notes

*Seth Davis, Mike Dillon and Matt Otto received votes in El Intruso’s 16th Annual International Critics Poll.

*A slightly different version of the audio feature about Charlie Parker’s Grafton saxophone created for KCUR in December aired nationally on NPR’s Morning Edition program last week. 

*Joe Dimino shared footage of recent performances of bands led by Pete Fucinaro and Adam Larson.

*WBGO aired a travelog set in Kansas City’s Jazz District.

Jazz Caucus

The crucial Iowa caucus takes place on January 15. For improvised music obsessives, equally vital electoral returns arrived earlier this month. The 18th Annual Francis Davis Jazz Poll is the most comprehensive and meaningful of the yearly jazz surveys.

More than 500 titles released in 2023 received at least one vote from the poll’s 159 participants in the foremost new album category. In separate groupings, 57 debut albums, 51 vocal albums and 40 Latin jazz albums were acknowledged. (My ballot is here.)

Pouring over the results to glean meaning is akin to reading tea leaves, or for those who dislike innovative jazz, more like the ancient practice of divining the future by examining the entrails of animal sacrifices. 

The expansiveness of this year’s poll indicates there’s little consensus even within the secluded jazz community. The staggering deluge of vital jazz exacerbates the form’s esoteric image. 

Kansas City is represented by Pat Metheny’s Dream Box (#78 with four votes) and Matt Otto’s Umbra (tied at #473 with a single vote). In the Rara Avis category, the reissue of the Massey Hall concert featuring Charlie Parker (#26 with three votes) and the Basie All Stars’ Live at Fabrik Vol. 1: Hamburg 1981 (tied at #101 with one vote) were also recognized.

In a corresponding essay, Tom Hull, the man overseeing the complex tabulations for the poll, ponders the electorate’s consumption of the form. As a courtesy to Hull and on the off chance any Plastic Sax readers are curious, I’ve responded to his queries.

How many promos do you get and listen to?
I received less than a dozen CDs and vinyl albums last year. I have access to innumerable complimentary digital downloads.

How much streaming (do) you do?
A minimum of ten hours a day.

How much radio (do) you listen to? 
I rarely listen to terrestrial radio. I stream loads of archived radio features and programs.

What (is) the split… between jazz and other music?
Approximately a third of the music I consume is jazz.

What other kinds of music do you like or hate? 
I love all types of music.

(Are you) giving up some amount of (professional) opportunity cost to (cover jazz)?
Yes. It’s especially nice when an occasional endeavor unexpectedly pays off.

The Top Stories and Trends of 2023 on Kansas City’s Jazz Scene

1. Last Train Home
The Lee’s Summit native Pat Metheny snapped an eleven-year embargo of the Kansas City area with a concert at Muriel Kauffman Theatre in June. 

2. Larson vs. Otto: Everybody Wins
The astounding productivity of Adam Larson and Matt Otto, Kansas City based saxophonists in their artistic primes, resembled a friendly cutting contest.

3. Too Marvelous for Words
The Kansas City mainstay Marilyn Maye celebrated her 95th birthday with a concert at Carnegie Hall.

4. Everything’s Up to Date in Kansas City
The Extemporaneous Music and Arts Society presented performances by cutting-edge touring musicians including Vinny Golia, Maria Elena Silva, Eli Wallace and Jack Wright. 

5. Absinthe Ascendent
Green Lady Lounge tightened its stranglehold as Kansas City’s dominant jazz venue. A program on Kansas Public Radio and an ongoing series of live albums furthered its hegemony.

6. Outside the Lines
Just two of  Plastic Sax’s 20 Favorite Performances of 2023 transpired in jazz clubs. Venues including concert halls and art galleries hosted much of the most interesting improvised music performed in Kansas City.

7. Ticketed
Attendance at concerts by Samara Joy, the Jazz at Lincoln Center Orchestra, Pat Metheny and Domi and JD Beck indicates the Kansas City area is home to about 1,500 people who are willing to pay $25 or more to hear instrumental jazz.

8. Turnover
Rashida Phillips resigned her position as Executive Director of the American Jazz Museum.

9. It Takes a Village
The Prairie Village Jazz Festival, a one-day, single-stage event featuring locally based musicians, remains the region’s most notable jazz festival.

10. Con Man
Con Chapman’s Kansas City Jazz A Little Evil Will Do You Good provided new insights into the area’s jazz history.

Last year’s recap is here.

Matt Otto: Plastic Sax's Person of the Year

Umbra and Kansas City Trio rank first and fifth on Plastic Sax’s Favorite Albums of 2023 list. The albums are showcases for the impeccably refined work of Matt Otto. The subtle power contained in the one-two punch from the unprepossessing saxophonist makes him Plastic Sax’s Person of the Year for 2023. The previous recipients of the designation are Seth Davis and Evan Verploegh (2022), Rod Fleeman (2021), Charlie Parker (2020), Logan Richardson (2019), Peter Schlamb (2018), John Scott (2017), Eddie Moore (2016), Larry Kopitnik (2015), Deborah Brown (2014), Stan Kessler (2013), Doug and Lori Chandler (2012), Jeff Harshbarger (2011), Mark Lowrey (2010) and Hermon Mehari (2009). Bobby Watson was named the Plastic Sax Person of the Decade in 2009 and again in 2019.

Confirmation: Weekly News and Notes

*Logan Richardson’s Holy Water, the Count Basie Orchestra’s Swings the Blues and Matt Otto’s Umbra are among Chris Burnett’s favorite albums of 2023.

Album Review: The Alex Frank Quartet- Reclaim

Matt Otto’s Umbra, Plastic Sax’s favorite album of 2023, features elegant contributions from guitarist Alex Frank. The Kansas City musician makes a similarly graceful statement on his new album Reclaim. Accompanied by keyboardist Matt Villinger, bassist Jeff Harshbarger and drummer John Kizilarmut, Frank displays uncommon melodic bounce and an optimistic sensibility. Frank often seems on the verge of shredding, but in keeping with his tasteful playing with Otto, restraint is the byword of Reclaim.

Plastic Sax’s Favorite Albums of 2023

Top Ten Albums by Kansas City Artists
1. Matt Otto- Umbra
Plastic Sax review.

2. Mike Dillon and Punkadelick- Inflorescence
Plastic Sax review.

3. Adam Larson- With Love, From New York City
Plastic Sax review.

4. Enzo Carniel, Hermon Mehari, Stéphane Adsuar and Damien Varaillon- No(w) Beauty
Plastic Sax review.

5. Matt Otto- Kansas City Trio
Plastic Sax review.

6. Pat Metheny- Dream Box
Plastic Sax review.

7. Torches Mauve- Volume Two
Plastic Sax review.

8. Narrative Quartet- Narrative
Plastic Sax review.

9. Count Basie Orchestra- Swings the Blues
Plastic Sax review.

10. Danny Embrey- Orion Room
Plastic Sax review.

Top Ten Albums by Artists From Elsewhere

1. Sebastian Rochford and Kit Downes- A Short Diary

2. Jason Moran- From the Dancehall to the Battlefield

3. Sylvie Courvoisier- Chimaera

4. Kassa Overall- Animals

5. Joe Lovano, Marilyn Crispell and Carmen Castaldi- Our Daily Bread

6. Henry Threadgill- The Other One

7. Aja Monet- When the Poems Do What They Do

8. Laura Schuler Quartet- Sueños Paralelos

9. Cécile McLorin Salvant- Mélusine

10. Irreversible Entanglements- Protect Your Light

Confirmation: Weekly News and Notes

*A quartet led by guitarist Alex Frank performed for Kansas Public Radio.

*Joe Dimino shared footage of a Jenna Bauer set at the Blue Room.

*A blogger named Matt Otto’s Umbra the best album released by a Kansas City musician in 2023.

*Reed Jackson interviewed the jazz-adjacent Maria Elena Silva for The Pitch.

Album Review: Matt Otto- Umbra

Umbra, the Matt Otto album released in August by Origin Records, is an understated masterpiece. Imbued with quiet grace, Umbra reflects the subtle magnanimity associated with Otto, a Kansas City saxophonist with a cool West Coast approach.

Yet the vaguely threatening “Little Things” opens Umbra. The core trio of saxophonist Otto, bassist Jeff Harshbarger and drummer Kizilarmut is supplemented by shadowy contributions from trumpeter Hermon Mehari, keyboardist Matt Villinger and guitarist Alex Frank.

The musicians seem intent on pursuing peaceful resolutions on the remainder of the album. Otto promptly sets about addressing the quandary on the gorgeous second selection “Hawk.” 

“Paw Paw,” perhaps Umbra’s best track, mirrors the excellence of Otto’s previous 2023 album Kansas City Trio. Kizilarmut’s sly playing indicates he’s become one of the elite drummers in improvised music.

The elastic “Melisma” concludes Umbra by alluding to the tension presented in “Little Things.” Profound equanimity, paired with extraordinary musicianship, gracefully resolve the album’s intellectual and spiritual challenges.

Confirmation: Weekly News and Notes

*Nina Cherry highlighted Matt Otto’s latest album for Kansas City magazine.

*Concerts by Gregory Porter and High Pulp are among KCUR’s recommendations for September.

Confirmation: Weekly News and Notes

*KCUR reported on the resignation of Rashida Phillips as the executive director of the American Jazz Museum.

*Reed Jackson investigated the Kansas origins of guitarist David Lord for The Pitch.

*Greg Carroll and Deborah Brown promoted the annual Spotlight: Charlie Parker initiative on KCUR.

*Joe Dimino interviewed Matt Otto.

*Marc Myers is on a Basie bender.

Album Review: Matt Otto- Kansas City Trio

The three trio albums Adam Larson released in a 14-month span are one of the most artistically rewarding achievements undertaken by a Kansas City musician in years. As if in response to Larson’s vital statement, Matt Otto issued the similarly daring Kansas City Trio on June 30.

Three Kansas City bassists- Bob Bowman, Jeff Harshbarger Ben Leifer- and three locally based drummers- John Kizilarmut, Marty Morrison and Brian Steever- construct interesting frameworks for Otto’s endlessly imaginative excursions.

The robust intellect, sly humor and gracious humanity displayed by Otto imbue the 12 tracks with magnificent grace. While his trios are always controlled and cool, their approaches emanate from the adventurous edge of mainstream jazz.

Relatively young artists, Larson and Otto are in their artistic primes. Any mid-size city would be lucky to claim one such elite saxophonist. Kansas City is exceptionally fortunate that both Larson and Otto call Kansas City home.

Confirmation: Weekly News and Notes

*Matt Otto told Steve Kraske about his latest album on KCUR’s Up To Date program.

*The first two episodes of Kansas Public Radio’s new program Live at Green Lady Lounge are available for streaming.