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Concert Review: David Lord at Farewell

March 17, 2024 William Brownlee

Original image by Plastic Sax.

Getting a handle on the music of David Lord isn’t easy. The Wichita based guitarist showcases a unique conception on his 2023 album Forest Standards, Vol. 3. Is Lord filtering John Fahey through Ornette Coleman’s harmolodics? Elsewhere, he sounds like James “Blood” Ulmer interpreting Claude Debussy.

Lord echoed Thelonious Monk in a solo outing at Farewell on Saturday, March 9. Thorny and agitated, Lord’s hermetic approach resists categorization. Reverent members of an audience of 25 who paid a $10 admission charge seemed certain that Lord is among today’s most important artists.

Wearing a Depeche Mode shirt, V.Vecker preceded Lord with a mesmerizing set in which he looped riffs from his saxophone to construct swirling sonic monoliths. The evening began with the jagged power trio of Seth Andrew Davis, Aaron Osborne and Evan Verploegh.

Tags Kansas City, jazz, David Lord, V.Vecker, Seth Davis, Evan Verploegh, Aaron Osborne

Confirmation: Weekly News and Notes

August 23, 2023 William Brownlee

Original image by Plastic Sax.

*KCUR reported on the resignation of Rashida Phillips as the executive director of the American Jazz Museum.

*Reed Jackson investigated the Kansas origins of guitarist David Lord for The Pitch.

*Greg Carroll and Deborah Brown promoted the annual Spotlight: Charlie Parker initiative on KCUR.

*Joe Dimino interviewed Matt Otto.

*Marc Myers is on a Basie bender.

Tags Kansas City, jazz, Rashida Phillips, American Jazz Museum, David Lord, Greg Carroll, Deborah Brown, KCUR, Matt Otto, Count Basie