It’s been almost impossible for mainstream jazz vocalists to capture even modest glimmers of attention since Samara Joy hit the scene. A generational talent with a voluptuous voice, Joy makes all other comers suffer by comparison. Even so, Kansas City’s Eboni Fondren equals Joy in at least one way: she possesses a similar amount of charisma. Fondren’s ebullient personality shines on An American in Paris. Accompanied by a European jazz band and a string quartet on a concise set of seven standards, Fondren is wonderfully elegant. The refined approach is mostly absent on her rough-and-tumble debut album The Journey. An American in Paris may not be Joy-ful, but it’s very good nevertheless.