The timing of Alliance is fortuitous. Matt Otto released his latest album on August 29, just as the longing for worry-free live performances reached an apex. While I’ve reconciled myself to continuing to abide by pandemic precautions, I particularly miss attending performances led by Otto.
The saxophonist’s regular gigs at the Kansas City venues Black Dolphin, the Blue Room, recordBar and Westport Coffee House every couple months were among the artistic highlights of Kansas City’s music scene. The 44-minute Alliance resembles a short but satisfying set typical of the musician who’s responsible for one of the most rewarding strains of jazz in Kansas City of the past 15 years.
The album’s extensive lineup initially looks like a comprehensive roll call of Kansas City’s elite young talent. Marcus Lewis, Hermon Mehari, Peter Schlamb, Adam Schlozman and Brian Steever are among the prominent contributors. Each man modifies his approach to suit Otto’s graceful lyricism. Even when a drummer bashes aggressively, the gentle ripple of Otto’s signature style is maintained. The only surprise is the entrancing whine of Mike Stover’s pedal steel guitar on “Debs.”
While Alliance isn’t Otto’s most important work, it’s another vital statement from a man who continues to embolden Kansas City’s improvised music scene with his profound talent and fresh ideas. I’ve never taken Otto for granted, but I’ll have a new appreciation for his performances when this extended nightmare is over.